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Desertification After Bouguereau: Toes | 19″x24″
A field of desaturated lavender is covered in a splash of marks, dots, and lines in white, gray, black, lighter lavender, and aqua. The shapes are varied, but there is a small collection of repetition within them: stacks of five J-shaped lines, triangular areas of shading, swoops evoking joints. The marks huddle and mass despite the energy and sensation of explosion.
Desertification After Bouguereau: Toes detail
Desertification After Bouguereau: Corner of Mouth | 16″x19″
Desertification After Bouguereau: Corner of Mouth detail
Desertification After Bouguereau: Nostril | 16″x19″
Desertification After Bouguereau: Nostril detail
Desertification After Bouguereau: Foot
Desertification After Bouguereau: Foot detail
Desertification After Bouguereau: Shoulder
Desertification After Bouguereau: Shoulder detail
Kitty F Davies is an artist, dirt-worker, and professor based in the USA. Read more >

CV

Work

Desertification After Bouguereau
Series, drawings

When I’m This Close
Painting

THE BODY IS ON
Sculpture, installation

Death Ensues
Sculpture, installation

Executrix
Drawing, installation

objet petit aaaaaaaaa
Sculpture, installation

Maximum Black
Series, collage

Portal Drawings
Series, drawings/performance

Telling the Future Through a Portal
Performance

same4same
Sculpture, collaboration

accumulation: homologue
Performance

Not Because I Need You to Know
Coming soon | Series, drawings

accumulation: focet [sic]
Performance, sound

Spot the Difference
Sculpture

FilthyDirty
Coming soon | Series, paintings

lovefight
Coming soon | Series, drawings

fridge drawings
Coming soon | Series, drawings

Exhibitions

Desertification After Bouguereau
2026, McLean County Arts Center

Telling the Future Through a Portal
2025, University Galleries

THE BODY IS ON
2025, University Galleries

a cut ting / inci sion
2023, Julian Gallery

Curatorial

Student Work

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Desertification After Bouguereau

Series. 2026.

Colored pencil, chalk, Conté crayon on painted panel.

About

A part of the eponymous exhibition.

AI systems are pattern-finding machines. Upon feeding one a set of images, visual pattern recognition is achieved in part through hierarchical extraction of features. If a set of data—in this case, paintings—has consistent features, it’s easier for the system to learn, and replicate, the pattern.

I began thinking of “Old Masters'” works as pattern and asked myself whether I could extract their consistent elements and accumulate them as a mass of so-called genius. I compiled existing AI-generated images of figures in the “style” of William-Adolphe Bouguereau. Once I had a large enough set, I picked out the body parts the AI most confidently replicated. I cross-referenced them with actual Bouguereau paintings in order to assess the AI’s accuracy to the originals and decided upon a small library of body parts to abstract.

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