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An establishing image of a sculpture necessary for the performance, the hug machine. Stanchions with black rope lead to a sign that says "You are invited to hug. Hug like you mean it / in a way that means. Once done, silently seat yourself. Do not speak. The performance is over when the last person is seated." Behind the sign, the hug machine waits: a freestanding door frame made of white rubberized wood. A grommeted silicone sheet is suspended in the frame with zipties. Two long yellow pairs of rubber gloves penetrate the sheet, and there is a hole approximately face-height about 50 inches high. Two people could hug one another through the barrier using the gloves, and the hole would let them be face-to-face. Behind the hug machine sits rows of dark blue chairs in an otherwise empty white room with concrete floors.
Performance space. The placard reads: “You are invited to hug / Hug like you mean it/in a way that means / Once done, silently seat yourself / Do not speak / The performance is over when the last person is seated.”
A different view of the hug machine: a freestanding door frame made of white rubberized wood. A grommeted silicone sheet is suspended in the frame with zipties. Two long yellow pairs of rubber gloves penetrate the sheet, and there is a hole approximately face-height about 50 inches high. Two people could hug one another through the barrier using the gloves, and the hole would let them be face-to-face.
A different view of the hug machine: a freestanding door frame made of white rubberized wood. A grommeted silicone sheet is suspended in the frame with zipties. Two long yellow pairs of rubber gloves penetrate the sheet, and there is a hole approximately face-height about 50 inches high. Two people could hug one another through the barrier using the gloves, and the hole would let them be face-to-face. Behind the hug machine sits rows of dark blue chairs in an otherwise empty white room with concrete floors.
Kitty F Davies is an artist, dirt-worker, and professor based in the USA. Read more >

CV

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Exhibitions

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2026, McLean County Arts Center

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2025, University Galleries

THE BODY IS ON
2025, University Galleries

a cut ting / inci sion
2023, Julian Gallery

Curatorial

Student Work

—

accumulation: homologue

2024

Performance; 5 minute 36 seconds. Hug machine: rubberized wood, silicone sheeting, rubber gloves, zipties, metal hardware.

About

Approximately 30 participants were invited to hug me through a silicone barrier, the hug machine. Unbeknownst to the participants, the gloves that touched my back had sharp studs in them that pricked and irritated my skin. After hugging, the participants had to sit and (silently) watched the marks from other huggers build up.

The spiked gloves are modeled on vampire gloves—BDSM gear used to play with sensation and pain—which “mirror the deadly games that a culture dishonest with itself plays.” A challenge about consent; a questioning of what harm is or isn’t; and a consideration of the specific oppression children face.

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