Kitty F Davies is an artist, dirt-worker, and professor based in the USA. Read more >
Work
Desertification After Bouguereau
Series, drawings
When I’m This Close
Painting
THE BODY IS ON
Sculpture, installation
Death Ensues
Sculpture, installation
Executrix
Drawing, installation
objet petit aaaaaaaaa
Sculpture, installation
Maximum Black
Series, collage
Portal Drawings
Series, drawings/performance
Telling the Future Through a Portal
Performance
same4same
Sculpture, collaboration
accumulation: homologue
Performance
Not Because I Need You to Know
Coming soon | Series, drawings
accumulation: focet [sic]
Performance, sound
Spot the Difference
Sculpture
FilthyDirty
Coming soon | Series, paintings
lovefight
Coming soon | Series, drawings
fridge drawings
Coming soon | Series, drawings
Exhibitions
Desertification After Bouguereau
2026, McLean County Arts Center
Telling the Future Through a Portal
2025, University Galleries
THE BODY IS ON
2025, University Galleries
a cut ting / inci sion
2023, Julian Gallery
—
Spot the Difference
2023
Two glass jars; blood from the artist when they’d been an unraped person for the majority of their life; blood from the artist when they’d been a raped person for the majority of their life. 6″x6″x3″.
About
Created in conjunction with the performance accumulation: focet [sic], this blood was collected at the brink of an anniversary of rape. In the weeks leading up to the date, I became consumed with the question: what would happen when I slipped from a majority non-raped person to a minority? I felt compelled to gather evidence that I existed, that I would continue to exist.
In the process of collecting blood from each thigh, just before and just after the clock struck the time, I realized that question in and of itself lives in an essentialist space I don’t otherwise entertain. There was no need to gather proof of life, but, jarred now, its purpose is to remind. The blood is different, and it is the same. The vials are indistinguishable, even to me.




